In this short series, Dominic Dalglish responds to three appraisals of Imagining the Divine from some of the UK’s leading scholars. In the final piece, we focus on the presence of women in the exhibition. Continue reading “Imagining the Divine: where are the women?”
What’s the correct position from which to view the exhibition – what should we be looking for? Katherine Cross gets down to ground level with a youthful take on Imagining the Divine.
Continue reading “Imagining the Divine at two and a half feet tall”
Dominic Dalglish responds to three appraisals of the Imagining the Divine exhibition from some of the UK’s leading scholars. In this piece, we look at the suggestions of Neil Macgregor, former Director of the British Museum and current Director of the Humboldt Forum in Berlin.
In this short series, Dominic Dalglish responds to three appraisals of the Imagining the Divine exhibition from some of the UK’s leading scholars. In this piece, we turn to the comments of Mary Beard on ‘blobs’.
Continue reading “Imagining the Divine: where are the blobs?”
For our fifth instalment of this series of posts on unexpected juxtapositions in the Imagining the Divine exhibition at the Ashmolean Museum, Maria Lidova is struck by two very different objects in the first gallery that tackle similar themes of death and marriage.
Continue reading “Unexpected Meetings #5: Facing the Afterlife”
The fourth in a series of blog posts inspired by the juxtaposition of objects in the Ashmolean exhibition Imagining the Divine, which closes on February 18th 2018. Here, Prof. Jaś Elsner considers two juxtaposed figures within one object, an ivory plaque from a late Roman ivory casket. Continue reading “Unexpected Meetings #4: The Maskell Ivory”
The third in a series of blog posts that draw out additional connections between objects displayed in the Ashmolean Museum’s Imagining the Divine exhibition. Rachel Wood discusses two very different objects from the same site: the city of Kish in the Sasanian Empire. Continue reading “Unexpected Meetings #3: Kish”
Sajda Van Der Leeuw analyses the Heart Sutra, a Buddhist text featured in the Imagining the Divine exhibition at the Ashmolean Museum.
The second in a new series of blog posts that draws connections between objects in the Ashmolean Museum’s Imagining the Divine exhibition. Katherine Cross examines three intricate carpet pages from holy manuscripts: from a Gospel, a Quran, and a Torah. Continue reading “Unexpected meetings #2: Magic Carpets”
In a new series of short blog posts, the curators of Imagining the Divine draw out connections between pairs of objects in the Ashmolean Museum’s exhibition. Jaś Elsner kicks off proceedings with two of the first artefacts on display. Continue reading “Unexpected Meetings #1: Dionysos & Dionysos”
